This is National Novel Writing Month.

I like to put in a plug for it every year, but at over 90,000 participants (it started in 1999 with around 25 people), maybe that’s the last thing they need. That, at least, is how I’m justifying not mentioning it until past the middle of the month.

If you’re interested, you can still sign up but you might consider just lurking around the highly entertaining forums to get your feet wet before jumping in next year. On the other hand, if you need inspiration and a fast approaching deadline, go for it!

In case you don’t know, the idea is to write 50,000 words of a brand new novel in the month of November.

My first year was 2002 which makes this—doing fast math—my sixth nano year. I have considered not doing it some years, but I think I’m past that. This year even with absolutely no time to plan, there was no question that I’d be back, doing my very best to come up with another story worthy of at least 30 days of my life.

I love it because doing NaNoWriMo has taught me, more than any other class or teacher or mentor ever did, how to write a novel. It taught me how to write through the dry periods, the uninspired days, the drivel that sometimes comes out when we sit down to make up a story. It showed me the vast amount of words you have to put down before finding the right ones in the right order. It not only taught me, but also it illustrated for me, the reasons behind turning off your internal censor and suppressing at every opportunity the doubts that are always there.

A daily word count goal (sometimes even an hourly one!) goes a very long way indeed toward overcoming the mechanical (I don’t have any good ideas), emotional (I am not good enough) and practical (no time!) reasons most people never write a novel.

If writing a novel isn’t something you aspire to here’s another option. This year I’ve joined a very active social networking group called NaBloPoMo that promotes blogging everyday in the month of November (reason No. 2 why this little site o’ mine has received less attention from me than usual). I’ve been blogging most days about my NaNoWriMo writing process, as I’ve been going through it, as well as posting a few tips along the way. You can see these posts in the NaNoWriMo category on my blog. As well, I’m going to be posting the Graphic Reminders I’ve done, here on The PCQ.

I haven’t been totally neglecting The PCQ, however. There’s work-in-progress to have a new social networking branch of The PCQ. This will be a place where you can easily post and share your own works of art or writing, start your own discussions and groups on whatever kind of creativity you’re into, and decorate your own profile page with whatever you like! Hopefully an email will be going out to all registered members soon, inviting you to see it (but I have to get through November first!). Either way, look for a link to it on The PCQ home page and please do click over and see what it’s all about.

[-process, essay-]

by Nancy S.M. Waldman

As we create, we use up media, materials, tools, ideas, time, and our own creative energy. Working from abundance means having a well of resources—more than we need—to create what we want.

My son used this expression in a conversation about the new songs he had just recorded. I mentioned how much the phrase resonated with me and he said that he had heard it from a professor who used it in terms of writing. In both instances, they were talking about accumulating, creating, way more than is needed for a project and then winnowing it down later to a more refined level.

Not everyone creates this way. I have a friend who writes sparsely and then fleshes out the story after she has the skeleton of it constructed. I’m the opposite. I overwrite and then must be brutal with myself about taking out everything that isn’t necessary.

However, the crucial aspect of abundance isn’t the number of words we write or the collection of materials on our worktables or the amount of paint we have at our disposal. It’s not even about time.

Time is necessary and without it we can’t create. But, there are people with loads of time who don’t use it to record music, make art or write novels. So having the time will only work for us if we have an abundance of what will motivate us to work, to play, to innovate.

Working from abundance is more about a certain attitude. This attitude incorporates elements of openness, generosity, fearlessness, confidence. At times, whimsy and audacity. It involves letting go of negatives, so there can be no sparsity of spirit. It’s about not worrying that we will use up all our good ideas if we throw everything we’ve got at a project. It’s about having faith that creativity is a renewable and sustainable resource.

There’s also energy to consider. Creative energy doesn’t have to be about being upbeat and feeling energetic. Many depressed people, who didn’t have the energy to bathe, have created masterpieces. It’s about using what we have to put into the process of creating.

While it’s true there are those instances when the more we create, the more energized we feel, it does have a limit. We have to always be aware of when we begin to feel like a worn-out battery. At that point, the idea is to get away from what is depleting us and re-charge ourselves. Working from an abundance of creative spirit will always result in a more effective creation.

And perhaps, that’s all we need to remember about abundance. If we can accumulate a deep pool of the attitude of abundance, then we will have what we need to create what we want.

Mind Space

- giving myself permission to work

The space in our minds is often more cluttered than our studio space. Here’s an article that may help unclutter yours.

by Suze Corte

Here’s the way I work.

I’m not saying it’s efficient or even evolved; it’s just what comes naturally. For me there are two kinds of goals: the practical, everyday type and the creative ones. When I set a practical goal like having the house clean by Friday, I go about it directly and stay with it until I finish. True, I may procrastinate until Thursday night but still, I can plan exactly how to go about the task, how much time it will take, and what the final result will look and feel like.

Not so with creative goals.

When I dream up something I want to accomplish creatively, I invariably begin somewhere in the middle and work towards both “ends”the start and the finish. I remember doing this with a newsletter I was asked to create. The content included children’s art and writing, so the style, I felt, needed to be free flowing, surprising, and playful. Since it was a four-page newsletter, I had plenty of space to express myself. I began working on the project by brainstorming. I jotted down ideas for a while, then switched to playing with type styles, and soon found myself sorting through drawings and stories. I hit on an idea to use an appealing child’s drawing of a bee and repeat it, buzzing through the issue to highlight different articles. I tried it, liked it, but decided to set it aside in case I thought of something even better later on!

The process went on in this manner—somewhat like a bee flitting from one flower to another—until the newsletter began to take shape and make sense conceptually and visually. I eventually got around to designing a logo that fit the style, but I found that I needed to lay out a lot of the content before I knew what the “beginning” of the newsletter looked like. The point is, the final result was not something I originally foresaw from top to bottom. I had started with some basic space and size requirements and vague conceptual notions, but no concrete vision of the end product. Quite characteristically, I didn’t head out towards this creative goal on a smooth linear route. To the contrary, I weaved, spun around curves, backed up, switched around, and regained forward movement by fits and spits. Despite the path I took—or maybe because of it—the newsletter turned out to be delightful, inspiring to readers, and visually pleasing. And I felt fulfilled creatively, as if a puzzle had been solved and a mystery revealed. It was great fun!

Sometimes, of course, creative goals are not geared towards this kind of progress to their final destination. For me these are often the ones where I not only begin the journey in the middle of the road, but also complicate my life even further by nebulously approaching as if it were a circle, with no beginning or end, something like a traffic roundabout with options shooting off in many different directions. I don’t do this to confuse or frustrate myself; I find that it just happens as a matter of course with some impending creative quests. These are the projects that tend to get set aside until some future time when other ideas emerge that will send my thinking in a more fruitful direction. And let’s face it, some projects don’t deserve to be finished and are meant to be perpetually stalled.

I often put off creative pursuits by telling myself that I am working on them when really I am just cleaning the work table. I know a lot about procrastination, having developed my skills to master status. Gathering supplies is another nice technique for avoiding actual creative work: you look busy and you are, in fact, dealing with the tools of the trade, and so it is a great trick for pretending to be in the actual process of producing something. However, there are times when even these ruses turn towards the light and become useful. Sometimes while playing like I’m cleaning my studio, a glinting object will catch my eye, and like a magpie, I start to gather goodies and fill my creative mind with interesting bits and pieces, thought and ideas, connections and relationships that work.

In the course of writing this article—which, by the way, was only a vague concept in the narrow recesses of my mind about an hour ago—I have rediscovered a great two-part truth about my way of working towards and reaching creative goals: it doesn’t matter how I get there as long as I get there AND I must give myself permission to honor whatever path I take. There is no one right way to go and there is no reason to feel like there’s suddenly a Wrong Turn sign in my way when I choose to select a meandering path to my creative goal. This has all been very therapeutic for me, and now I will go create something. Or not. Or not now-ish.

My studio table is a mess.

words and images © 2005 - 2007 Suze Corte; all rights reserved

Originally published in the July 2005 issue of The Practically Creative Quarterly; theme: space and spaces

Suze Corte is a writer, artist and pre-school teacher in Houston, Texas. In 2007, she was chosen as be the Houston Area Association of Educator’s of Young Children’s Teacher of the Year and the Texas Association of Educators of Young Children’s Teacher of the Year. Congratulations, Suze! It is a well-deserved recognition.