All tag results for ‘photography’

Winter Lights on Second Life

January 25th, 2008

[art, virtual worlds]

Winter Lights, an art and photography exhibit, has just opened in the Gallerie Octaviana. The show features work from Mad Swiss Cow, Marcel Moré, Sume, Marjie Kennedy, Pirate Johnny, Smiling da Vinci, and Nancy Waldman on the first floor of the expansive gallery space. Upstairs are two new installations of a Circleworks box and a hued light environment.

The owner and artistic curator of the gallery is Annie Octavia.

gallerie beth felice © 08 all rights reserved

What you may now be realizing is that Annie and her gallery are located in the magical space of a virtual world called Second Life. Annie is the online avatar of Beth Felice. I interviewed Beth about Second Life, her gallery, the show, and some of the special kinds of creative works that are all the rage in this Other (S)P(l)ace.

Here’s the interview along with shots and videos from the gallery, the installation.

1. For those people who have never even heard of Second Life… can you give us a brief overview of what it is and how it works?

Second life is an example of a MUVE, multi-user virtual environment, a fancified way of saying 3D web browsing. Does it look like a video game, yes. Is there any “game” objective, not really. Who is there? Currently a vibrant world community of about 7 million, including over 350 colleges and universities, NASA, CDC, libraries, museums, both with counterparts in the physical world and those that exist only in second life (sl).

For a presentation I gave in November at the Federation of State Humanities Councils I created a wiki at http://virtualplace.missourihumanities.org/secondlife. You’ll find a nice assortment of articles, factoids and links there.

gallerie1 beth felice © 08 all rights reserved

2. How long have you been involved in SL? How long have you had the Gallerie Octaviana?

I stumbled into SL Labor day weekend 2006. At that time there were about 400,000 users. There was a release of virtual land (512 square feet is included with each paid account) in December of 06 and I staked a claim then, and built the first gallery.

3. Have you had other exhibits?

Yes, I’ve quite enjoyed bringing flickr friends into SL, and hopefully vice versa.

4. Is exhibiting art in SL a good way to get publicity for one’s work?

I’m not sure if you are talking about a subjective or a metric here. In a way, there is a large community of eyeballs, a very organized art community, and the ability to have things on display 24/7. That being said, the most traffic is generated by real time events, openings, artist discussions, etc. I am most interested in this idea of immersion, of being able to walk the representation of self through the art. I am very interested in this intersection of photorealism and illustrative style, and using some of the fantastical qualities, the “magic” not possible in the physical world.

gallerie2 beth felice © 08 all rights reserved

As an aside, I have read that up to 10% (and many believe this number might be higher) of the Sl community is physically challenged in some way. There are some pretty amazing stories about the communities of stroke survivors, wheelchair bound, autistic, and people living with chronic diseases like cystic fibrosis rejoicing in the ability to be “just another” person…or just another person that can fly. :)

I’m still stuck on the concept of publicity for one’s work. I’m not sure. I think the most interesting work might be that which combines sound, movement, scripting, graphic, and interpretation. And it might exist specifically in a place like SL. Am not sure that work ports straight across from a gallery wall around the corner, into the virtual gallery.

5. I think it’s fairly easy to conceptualize how you put images onto the “walls” of your gallery, but you also have moving 3-d sculptures. Those are a little tougher for me to imagine creating. Tell us about those.

I made a little video, creating an object, and assigning properties and “textures” (graphics). SL Prim-er for Practically Creative Quarter folks

[readers: be sure to check out this primer on prims.
it’s well done and totally intriguing.
also you’ll see the pcq home page on the gallery wall!]

6. Tell us about your alter ego, Annie Octavia. How is she like you? How is she different? Did you have an idea of who you would be on SL or did it evolve out of the experience of being there?

There seems to be an ongoing discussion between immersionists and augmentationists in virtual worlds. Some people want to explore parts of their personality they might not commit to IRL (in real life) and some people see the avatar as an extension of self, trying to make it as close to reality as possible. I remember one of the first librarian meetings I went to, one fellow had made himself into a two story tall dust ball.

gallerie3 beth felice © 08 all rights reserved

There is actually a good deal of scholarly interest in these topics
virtualworldsconnect.com/
edition.cnn.com/2007/TECH/06/07/virtual_identity
ibiblio.org/nmediac/winter2004/matusitz.html
gwynethllewelyn.net

Annie began as a representation of self. I’m not much of an actor. Recently a great friend started to explore the visual and creative aspects of costume. Remember, as everything in SL is user created, this includes hair, clothes, etc. A current favorite designer mixes traditional Japanese costuming with a distopian future and goth.

7. What else would you like people who haven’t experienced it to know about Second Life?

In a way it is a next iteration of the internet, and reminiscent of how you might describe what one could find “online” in the early ’90s. It is a communication tool, a collaboration application. It takes the more singular activity of person browsing web via computer to a social activity.

gallerie4 beth felice © 08 all rights reserved

8. Anything else you’d like to say that I neglected to ask about?

Winter Lights
is up through April. Anyone wanting a little help learning the SL environment, please feel free to email. The next project is a more intensive scripting project, coordinating events of sound and image with avatar movement through space, or interaction with other avatars. I also seem to be composing a lot these days, and that happens in a very NON networked world!

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A Visit to Gallerie Octaviana

When Beth asked me to be in her show this time, I decided to go visit Gallerie Octaviana. I had never been on Second Life but had heard about it, so I was curious. It takes a little time—but not money—to get set up there. I would estimate that it took me between one and two hours to begin. This included time to register and decide on the basic parameters of my avatar (my name is *Aplomb Pomilio*—you can freely choose your first name but the last name must be taken from an extensive list). Then I went to the orientation island where I figured out how to navigate, use the map, chat and appearance interfaces and so on.

I then set out in the world to find the gallery. Even though I thought I had the parameters, I was not able to find it on my own. Second Life is big! I landed in some pretty amazing places though. Finally, I had to email Beth and ask her to contact me in SL. She pinpointed her spot and I was able to teleport there.

Walking through the gallery with Annie (dressed fabulously!) as my guide, is like being a character in a video game, I suppose, except better because you know no one’s going to shoot at you! I have to say it’s pretty amazing to see my photos and the PCQ home page up on a gallery wall in this other worldly place. Thanks Beth for a fascinating introduction to Second Life.

Here I am in some person’s clothing shop (sorry I am too disoriented in this foreign land to know where exactly I am):
nancysmwaldman

I’m sorry I didn’t turn around to face the camera. I couldn’t figure out how to make that happen. The bird on my shoulder was given to me when I showed up on orientation island. It’s probably a sign of a real n%b*. :D Anyway, it was a stay-at-home adventure for sure. Cheers!

*Note from Beth:

The bird on your shoulder is not the sign of the n00b, just a gift from someone, who also was once new. In virtual and real world communities, people care about one another, and this just makes every day a complete wonder.

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You can find all of Beth’s projects and websites at bfelice.jaiku.com :: Beth is also a member of our social network: Being Practically Creative Come on over and check it out.

February 08: Some of my thoughts and photos on further exploration of Second Life. And on the pleasures of playing dress-up!

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MetAphorism - The Artichoke

May 11th, 2007

[-inspiration, photography-]

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metAphorism metAphorism is a PCQ coined-word that means a simple, everyday thing, concept or event that points us in the direction of a deeper lesson.
metaphor - figure of speech giving an implicit comparison: this is that.

aphorism - concise statement of a truth or opinion.
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The metAphorism:
The Artichoke Plant
The Lesson:
Things Take Time

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by guest metaphorical thinker and photographer, auer

artichoke

© 2007 auer all rights reserved

If you eat artichokes you know that the middle part, full of thistles has to be pulled and trashed so you can get to the heart of the matter. But left to nature, this prickly trash becomes a lovely flower with soft filaments that blow gently in the breeze.

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Sometimes all it takes is time and nature to turn a problem into a thing of beauty.

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artichoke 2
© 2007 auer all rights reserved
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This lovely reminder was sent in by one of our readers after seeing the new PCQ. If you feel similarly inspired by anything that you’ve read here, take a chance on submitting your own MetAphorism or anything else that might be of interest to other creative people out there.

Thanks auer, for taking the time to send this in and for the timely message!

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home

May 3rd, 2007
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Click here to see “Being Practically Creative”
click to go / or see below / for more info
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Welcome!

The Practically Creative Quarter
is a webzine that focuses on

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Whether you are looking for tutorials or tips, philosophy or photography, process or product, crafts or fine art, uplifting support or a motivating poke, The PCQ is likely to have something to interest you. We have a variety of articles, essays, tutorials, cartoons, graphic reminders, quick creative practices, fun projects and loads of inspiring creations from many different areas of creativity.

Keep yourself working creatively and your creativity working for you!

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What’s New ~

images from our network members


Find more photos like this on Being Practically Creative

It’s a new dimension to The Practically Creative Quarter
~ The PCQ with YOU in mind ~
A social network for everyone interested in creativity.

    Creativity shared is creativity energized!

  • Customize your own Being Practically Creative webpage and blog.
    Upload photos, badges, music, widgets.
    Share photos of your work.
    Share your stories, your process, your tips.
    Discuss your successes and your woes.
    Tell about the creativity that you do…or want to do!
    Write a tutorial about how you work.
    Get tips from other people.
    Start groups about what you’re interested in.
    Start a discussion about whatever interests you.
    Invite friends, meet new ones.
    Show your work to like-minded people.

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Check out This Month’s Goody, a featured article from our archives!

The Gallery page is a sampling of some of the visual art that has been featured in our zine.

Thanks go out to all our great contributors who’ve enriched and given depth and breadth to this zine. Bravo!

Scroll down to find this month’s sampling of Oldies but Goodies.

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Winter Lights on Second Life

an interview wtih Annie Octavia/Beth Felice about her art showing in her Gallerie Octaviana and a glimpse into Second Life

The Crafty Songwriter - Tip #1

Carson Metzger’s debut article on songwriting (look for more monthly, we hope); this one’s on how to show your meaning

Writing Like the Wind

- why I love National Novel Writing Month!

The Smell Game

- not only a sensory game but a smelly way to do art

Using our Good Sense

- smell your way into a creative frame of mind

Cooking up Creativity

- why and how cooking can do so more for us than simply fill our tummies

Legitimate Distractions

- what happened to September? featuring the art of Tyler Darvintyne and a photo of my granddaughter :)

Changing Seasons

- a Practically Mperfect article on balance

“The world looks after artists”

- the inspiring art and artistic journey of Donna Marsh

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check this space each month to find some of our older articles that are too good to miss.

Working From Abundance

- essay about attitude and energy

Polaroid Transfer Art

-creations by Angela Petsis

Getting Back on Track

- a graphic reminder

Boxed Out

- altering boxes into art and art into boxes

Hacker Baby

- short short fiction from found fotos by Indie

Garage Sale Retrospective

- an illustrated poem, by Carson A. Metzger

Metaphors - creating illusions

- how metaphors ARE magic

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You can find guidelines on submissions on the About page in the navigation bar under the header.

let me know—either through comments or email—if you have any suggestions, concerns, problems with layout or design, find links that don’t take you anywhere or anything else that you think I need to know. If you have a suggestion for a poll, I’d love to hear it!

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Exploring Dimensions

April 16th, 2007

[-art, photography, poetry-]

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NightSchool

Originally uploaded by MontanaRaven.

Today’s image comes from Maureen Shaughnessy, the talented photographer and artist who has been a frequent contributor to The PCQ. She continually explores deeper and deeper into the possibilities of photographic/drawn art alterations.

I asked Maureen about this image and she said that she took a painting of a “normal, boring fish” and digitally altered it giving the appearance of perspective and swimming in different positions…” Maureen was working with the idea of “taking a flat…almost cut-paper or 2-dimensional tapestry gradually…transforming into a 3-dimensional dream image as you go right.”

I love not only the image she came up with, but the visual, design and metaphorical exploration behind it.

To accompany her image, she includes the following:

And a part, just a little part of a poem by one of my very favorite
poets, Mary Oliver … to accompany this dream image. This is the last bit of her poem,

Dogfish

Mostly, I want to be kind.
And nobody, of course, is kind,
or mean,
for a simple reason.

And nobody gets out of it, having to
swim through the fires to stay in
this world.

And look! look! look! I think those little fish
better wake up and dash themselves away
from the hopeless future that is
bulging toward them.

And probably,
if they don’t waste time
looking for an easier world,

they can do it.

— by Mary Oliver

Linking literary works to art - whether they are your own words or someone else’s - can add a further dimensionality that enhances both.

thanks, Maureen for an inspiring alteration.

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This image is part of Maureen’s Alterations and Digital Collages set
Here’s a link to Maureen’s blog, Raven’s Nest
All Maureen’s articles on The PCQ.
Here’s a PCQ science article on Dimensions

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Originally published in the original Practically Creative blog, March 2006

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Impermanence

April 16th, 2007

[-photography, process-]






Originally uploaded by tejana.

This beautiful macro taken at a beach, by tejana, reminds me of the impermanence of … everything.

Sand is one of the most malleable of substances. It’s constantly altered by the tides, the wind, even the small beings living within it. Whether a large wave, a sprinkle of raindrops, or a human foot, each causes a rearrangement and a new design.

Our lives, our creative efforts are no different.

If I had finished my novel last December, for example, instead of waiting until now to do it, the words I chose would have been different. I’m subtly rearranged from the person I was when I put the writing aside. Therefore, what comes out of me now, will be altered from what it would have been then. This isn’t a bad thing, but it is something to acknowledge. It might be a (well-needed ;) ) reason not to put things off if we can help it.

Each new day, we need to attempt to put our mark on something in order to capture what and who we are on that particular day - the way tejana so beautifully preserved the sand’s essence in this spot on this day.

Thank you, tejana ~~~

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Here are some links to articles about paying attention to the marks we make:
- doodles by Maureen Shaughnessy
- marks have meaning, about self-promotion
- marks have meaning, an art tutorial
- mark my words, a graphic reminder

Procrastination articles:
- Suze Corte - Mind Space
- a PCQ-QCP - The Imaginary Deadline
- a Practically Mperfect article - Collecting Dust

The other side of NOT finishing things:
- Karen Hatzigeorgiou - You, Me and Leonardo da Vinci

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Originally published in the original Practically Creative blog, February 2006

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Curvyques

April 16th, 2007

[-photography, practices-]

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Curvyques

Originally uploaded by suzeque.

This photograph is taken by my cohort [and, btw, sister] Suze and is an image from Texas, taken in San Antonio.

I’m crazy about it. But why?

Taking the time to analyze what we love about someone else’s work is a useful exercise. Heightened awareness can only help to make our own work more instinctive and personal and therefore, better.

This is what I like about Suze’s image: The composition is beautifully balanced without being predictable. The colour contrast between the graceful curlicues and the background is lush and the colour combination unusual. Then there’s the texture on the green metal, the layers of paint - light green, darker green yellow and more - and the rust, which I love. We might as well revere rust for its beauty since it’s inevitable! But in the interest of heightened awareness, let me just ask myself, why? Why is rust so great?

It isn’t predictable. It eats through surfaces irregularly. It makes the surface not only visually variegated but also texturally varied. It adds as it takes away.

Any ideas on rust?

Thanks, suzeque, for your curlicues!

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See Suze’s other articles on the PCQ.
See photographs of lots of gorgeous rust and other beautiful signs of aging on our Patina page.

Suze Corte 2007 Houston and Texas Teacher of the YearSuze Corte is a writer, artist and pre-school teacher in Houston, Texas. In 2007, she was chosen as be the Houston Area Association of Educator’s of Young Children’s Teacher of the Year and the Texas Association of Educators of Young Children’s Teacher of the Year. Congratulations, Suze! It is a well-deserved recognition.

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Originally published in the original Practically Creative blog, March 2006; edited for re-publication

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Visual Poetry

April 16th, 2007

[-art, photography, alterations-]

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lingering doubt
‘lingering doubt’

© 06 - 07 angela petsis all rights reserved

Today we have a wax collage done by Angela Petsis. She says that she’s only been doing collage a short while but it’s obvious that she has a natural affinity and skill for gathering, and the layered construction that collage requires. The transparency of this image - with words and background images showing through the figure - give it a dreamy quality. The wax she uses in lieu of glue gives it depth and an aged look.

I am always more drawn to an image when it’s been given an evocative title like this one. “Lingering Doubt” immediately draws me in. I look more closely at the woman’s image and begin to wonder about the look on her face, her stance, what she’s wearing. But more so, it makes me think about what’s going on within her. Both ‘lingering’ and ‘doubt’ are ambiguous words. They can lead to positive or negative outcomes, but they are evidence of an internal struggle that helps to give meaning to this complex image. The combination of title and image result in visual poetry.

- See Angela’s great tutorial on how to do Polaroid transfers
- Showcase of Angela’s Polaroid Transfer artistry
- Be sure to visit Angela’s beautiful website to check out what other kinds of art she’s doing: angelapetsis.com

Thanks Angela for your evocative collage!

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Originally published in the original Practically Creative blog, February 2006; edited for re-publication

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Rain Day

April 15th, 2007

[-photography, digital art-]

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Rain Day

Originally uploaded by Elinesca.

Today’s image is all about water.

Water is so magical to look at, photograph, be in, experiment with because it can do so many things to and with our senses. It not only reflects, but is, at the same time, transparent! We see *on* and *in* it simultaneously. It catches light and color. It distorts size and position of what is seen through it. It is powerful enough to etch through stone but can be as gentle as a foggy mist.

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~ water alters our perception ~

water on art
© 05-07 nancy waldman

Remember this as you create.
• Before painting, soak your paper in water.
• Take a photograph of an object through a glass of water.
• Find out what happens to a photograph that is soaked in water.
• Click here for more outrageously watery suggestions.
• And finally, don’t ever underestimate the power of a shower for providing an atmosphere conducive to inspiration!

Thanks, Elinesca for today’s inspiration.

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Originally posted to the original Practically Creative blog in February 2006; edited slightly for re-publication

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window

April 15th, 2007

[-photography, alterations-]

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Goddard stairs and window

Originally uploaded by suzeque.

Good Monday, all!

For the next few days I’ll be posting photos of alterations achieved by natural means: light, time, rust, weather, water.

This one is from Suze Corte and was taken on the campus of Tufts University, in Massachusetts, USA. It’s a great example of how sunlight can transform an everyday scene into one of golden warmth and visual depth.

Thanks, Suze!

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Related posts:
light: Light Play
light, weather, time: Outside in
time: Time’s passage
rust: patina
water: Rain Day

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Originally posted to the Practically Creative blog in February 2006

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Memories of hope

April 15th, 2007

[-photography, digital art-]




Memories of hope

Originally uploaded by Baywhale.

This locally sunny (woke up to snow, but the sky has ‘blued-up’ nicely) Sunday, I’ve chosen a photograph by baywhale.

His abstract images use reflection, transparency, colour, texture, words and numbers to bring us in close to his unique view of an urban world. Fragments of walls, windows, surfaces - rusted, painted, peeling, dirty - are transformed into visually rich, deep and poetic works of art. In addition, he uses titles to expand upon and offer glimpses (though no simple explanations) into his own interpretation of these images.

Here’s a tutorial that baywhale was kind enough to do for The PCQ on the technique he uses to make what he describes as “photosandwiches.

Thanks, Baywhale!

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© 05 - 07 baywhale, all rights reserved

Please visit Baywhale’s flickr stream to see more of his creations.
Of his Adventures in Wonderland set, Bay says,

I see this set as ‘pure’ art, the deep and dark psychology takes place when I take the individual pictures but when I combine them it’s all about pleasure.

Baywhale, a computer operator in London, is also a proponent of the World Community Grid, a painless way to contribute to our world. Information on his World Community Grid group can be found at the flickr group, The Painless Charity of the Amazing Secret Angels- photograhers who flickr

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Originally published in the February 2006 on the original Practically Creative blog; edited slightly for re-publication

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