All tag results for ‘nature’

MetAphorism - The Artichoke

May 11th, 2007

[-inspiration, photography-]

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metAphorism metAphorism is a PCQ coined-word that means a simple, everyday thing, concept or event that points us in the direction of a deeper lesson.
metaphor - figure of speech giving an implicit comparison: this is that.

aphorism - concise statement of a truth or opinion.
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The metAphorism:
The Artichoke Plant
The Lesson:
Things Take Time

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by guest metaphorical thinker and photographer, auer

artichoke

© 2007 auer all rights reserved

If you eat artichokes you know that the middle part, full of thistles has to be pulled and trashed so you can get to the heart of the matter. But left to nature, this prickly trash becomes a lovely flower with soft filaments that blow gently in the breeze.

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Sometimes all it takes is time and nature to turn a problem into a thing of beauty.

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artichoke 2
© 2007 auer all rights reserved
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This lovely reminder was sent in by one of our readers after seeing the new PCQ. If you feel similarly inspired by anything that you’ve read here, take a chance on submitting your own MetAphorism or anything else that might be of interest to other creative people out there.

Thanks auer, for taking the time to send this in and for the timely message!

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The Nature Journal: chronicling climate change

May 3rd, 2007

[-journaling, nature, process-]

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by Nancy S.M. Waldman
snow

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nature journal 6

3/1 The crocuses are coming up.
Is it early?

Is the natural world around you different from the way it was when you were a child? Perhaps it has even changed since you were a young adult. It has for me and I know it is so for many people. Climate change is happening and now, with greater awareness of it, perhaps it is time for those of us who like to record our lives in our journals, to consider chronicling climate change.

I have always noticed (and have sometimes written down) those normal firsts during the course of a year.

nature journal 3
April 29 - Peepers!
NS 2006

The first time I see a robin, the first crocus or forsythia or lilac. When I first run into June bugs on the front door screen or hear the cicadas in the summer or the peepers in the spring. That these sightings may be occurring earlier or differently than they used to was not the reason I noted them. I think I was more moved by the solid evidence that these things were happening on the exact same date from year to year.

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April
17th, 1996 CT
1st forsythia sighting
by 18th
it is difficult to look without seeing one
Tyler tells me many people
believe them to be:
“for Cynthias”

If I did it for any other reason, it had to do with creative writing. When writing, it’s often useful to have at your fingertips real notations of when the Indian Hawthorne blooms in Texas or if it’s believable that the first snowfall of the year might be as late as January in Connecticut or if a character could be hearing the frogs at dusk in Nova Scotia in mid-April.

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May
May 6th - first lilac blooming - CT
nature journal 2

1998, CT VERY WET SPRING -
Rain everyday for 14 or so
also cool

May 11 — NS 2006
Forsythias in bloom

However, looking back at my nature journal now, I realize that there is benefit in the simple act of jotting down what is happening in the natural world. I only wish I had written more and started earlier in my life.

If you plant a vegetable garden or have perennial beds, why not consider keeping a journal dedicated just to what happens there each year?

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nature journal 8

August
The
Cicadas have come! CT, 1995
Wow… once again, 1996

Not only will you be more likely to improve your gardens by remembering through your journal what works and what doesn’t, you may also notice more readily the changes that are occurring in the weather. The first and last frost dates, the fact that certain crops used to die on the vine but now have time to ripen, the withering of other crops due to higher heat.

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nature journal 9

July
11th 1998 My Birthday
Took myself to Sherwood Is. St. Park Beach
After sitting on the beach for an hour or so, I
walked down one of the nature trails. Was
followed—hovered over—by a red-winged blackbird.
It flew back to its nest and another came up,
chattering at me. Felt as if I had an escort. Then,
on the way back, I saw 7 or 8 goldfinches!
Only me on this trail despite hundreds of people
only yards away.

While it may be human nature to avoid awareness of unpleasant things—especially when we feel helpless to do anything about it—it is a natural reaction that, in this case, needs to be resisted. If we notice in our personal lives that things have changed, we may be more likely to change ourselves in the process. Decide—at the very least—to be aware of what is happening to our world and in order to facilitate your awareness and your memory: record it in your journal.

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CB 2003
~The summer of baby owls~
Juveniles by the time we spotted them.
For days and days there were hanging
around the edges of the yard everywhere
we looked. Saw the parents less often,
but frequently. Screeching “hunger”
calls sounded like a bobcat

The images you see here are simple notes from my nature journal. The notes I make are ordered only by month. Because I have moved around and travel frequently, I am always careful to note where I am and the year but otherwise, the placement is random. This provides a quixotic juxtaposition of the years of my life that I find pleasing. ***That sentence provided a place to use two fun *x* words that I also found pleasing. :)


nature journal 1

May 17 NS 2006
Earliest spring since I’ve lived here.
We’ve had warm to hottish temperatures
since last Friday (12th) - a little rain one
night but other than that: SUN. All the
trees have their leaves though. Unlike
most years on June 1st when they POP out
all at once, they are opening gradually.
This is almost 2 weeks early.
Cherry trees beginning to bloom.

The journal was a gift from my mother and the pages of it are graced—that is the only fitting word for them—with illustrations by Marjorie Bastin. As you can see they are gentle, accessible and charming images of birds, eggs, nests, dandelions with Marjorie’s own nature notations. Simply beautiful. If you have the time and interest, consider illustrating your own nature journal.

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a trail through leaves by hannah hinchman

One of the most beautiful books that I’ve seen on the nature journal is A Trail Through Leaves - The Journal as a Path to Place, by Hannah Hinchman.

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nature journal 10
June
2005 -9th-
in Maine for Cadi’s birth
the lilacs are in full bloom

Happy Journaling!

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Thread of Winter-Quiet: tutorial

April 8th, 2007

[-tutorial, photography, alterations-]

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ghost roots tapestry
“ghost roots tapestry

by Maureen Shaughnessy

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I collect images, mostly with my own camera, but also from old manuscripts, ephemera, found objects, cultural flotsam and jetsam. Sometimes I do digital collage, other times I work with paper, paint, drawing tools and glue in 2 dimensions or I make 3-d mixed media sculptures. I work in layers, often more than 20 or 30 layers, as I am trying to create something with visual, symbolic and spiritual depth. The stories of the objects I use are glued into the collage layers. Emotions, connections, poetry, unspoken words, events, songs, dreams and spiritual meaning are embedded in there too. Often the layering will only be apparent on a subtle level. What’s important to me is that I know the layers are underneath somewhere, giving the piece personal depth and intimacy.

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gold willow at the lake
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When I’m looking at one of my own layered collages or someone else’s, I tend to judge it based on first my emotional response, then on the craftsmanship of the execution and finally based on some intellectual understanding of the piece. Sometimes I want my work to be wild and spontaneous and passionate. Other times I’m aiming for an almost cool control, which in itself can convey an experience or an emotion as effectively as a more passionate piece. It’s hard to say what makes a layered piece “work” for me. It’s intuitive. Can I connect with something the artist was trying to say? Or does it leave me cold? Really, it’s such a personal thing … one viewer may respond to a piece that another person thinks is inferior.

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woodland and icon with cross
“woodland and icon with cross”
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Here’s a little about my altered photograph, “Ghost Root Tapestry.” The main image I used was of the lower trunk of a tree. When I first saw the tree, the roots looked like they were twining together in a Celtic knot shape. I have some background in fiberarts and weaving, and I thought of trying to bring out this aspect of the roots – that they were threaded and knotted together, not only around each other, but around the rocks and pebbles on the lake shore and down into the earth, around the leaves and soil and micro-organisms that live down there. I wanted to make something that looked like a tapestry, like threads and cords and knots, textural and subtle and fine.

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sky with candles water roots fiber reaching for the light realm
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I used Photoshop to alter the tree roots photo by blending it with a photo of the frozen lake surface and another, of branches against sky. I choose photos based on their dominant shapes, lines and textures. For example, to create the look of a tapestry, I needed lots of texture, so I chose photos with lots of different line weights and shapes going on. The different textures of these three photos contribute to the feeling of woven cloth. Likewise, if I had been going for a minimalist feeling, I might have chosen only photos with simple shapes and few lines.

After I played around with the colours and blended the three main photos, I rotated multiple copies of the image and blended many layers to make something like a tapestry with the appearance of depth and criss-crossing threads. I like that it’s not perfectly symmetrical … very much like my actual woven tapestries used to turn out.

This series of altered photos is in a set I call “Dead of Winter.” Sometimes I come up with a title for a series that almost contradicts how I really feel about the subject of the series. Yet to me, it fits. I hope the title makes people stop and read it twice, to puzzle out why I might have chosen those words.

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sky with candles
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In this case, “dead” is the opposite of what I think winter is. Winter is very much alive – it is just sleeping; it is the Earth dreaming, growing secretly underground, holding the light of short winter days in her heart, in her belly, holding it in until everything is ready to leap out again, be born, and come back to the warmth and the air and the green. It is a time for meditation, concentration, inner-focus, silence and dreams and spiritual contemplation. With that in mind, I tried to bring out the subtle, quiet spirit of leafless trees, frozen water, and strong, connected roots. Not all of the photos in this set are altered. In fact, some are just as they came out of my camera. But they all belong together because of the thread of winter-quiet.

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cloud ice earth dancers
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All images: © 2005 - 2007 Maureen Shaughnessy all rights reserved | see the entire “Dead of Winter” set on flickr | see more of Maureen’s altered photos on flickr | Maureen’s blog

Other articles in The PCQ by Maureen Shaughnessy:
The Thread of Winter-Quiet: images.
Doodles from Maureen’s sketchbook

about the artist:
Maureen is a: landscape designer . artist . gardener . writer . companion to her soul mate . mom . daughter . sister . friend . independent sort . lover of nature music animals plants beauty sunlight&darkness. Maureen lives in Helena, Montana. She is working on a personal website but is almost too much of a perfectionist to finish. She likes to quote da Vinci, “art is never finished, only abandoned.”

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Originally published as cover art on the January 2006 issue of The Practically Creative Quarterly, theme: alterations

Thread of Winter-Quiet: images

April 8th, 2007

[-photography, digital images, photo essay-]

words and images by Maureen Shaughnessy

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cloud ice earth dancers
“cloud ice earth dancers”
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Life is filled with mundane happenings and objects we take for granted.

Read the rest of this entry »

Exotic physics finds …

April 2nd, 2007

[-science-]

The PCQ is mindful of the fact that creativity is not just about paint and paper, pen and ink, needle and thread, hand and strings. Instead, it encompasses all that surrounds us. In light of this, I chose this article from the science news for our issue on Space and Spaces.

dusk disc around black hole
Dusk Disc around Black Hole courtesy of NASA’s Hubble Site
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This article is about the ultimate space in Space, The Black Hole. And if you think you have trouble dealing with the usual three dimensions… try TEN

Exotic physics finds black holes could be most ‘perfect,’ low-viscosity fluid

by Vince Stricherz

Physicists have described a substance that looks like a black hole when viewed through the lens of string theory, a notion of the universe that requires the existence of at least 10 dimensions. In our usual three spatial dimensions, the phenomenon looks more like a close relative of a quark-gluon plasma, a super-hot state of matter that hasn’t existed since the tiniest fraction of a second after the big bang that started the universe.

No matter what you call it, though, that substance and others similar to it could be the most-perfect fluids in existence because they have ultra-low viscosity, or resistance to flow, said Dam Thanh Son, an associate physics professor in the Institute for Nuclear Theory at the University of Washington.

Son and two colleagues used a string theory method called the gauge/gravity duality to determine that a black hole in 10 dimensions — or the holographic image of a black hole, a quark-gluon plasma, in three spatial dimensions — behaves as if it has a viscosity near zero, the lowest yet measured.

It is easy to see the difference in viscosity between a jar of honey or molasses at room temperature and a glass of water. The honey is much thicker and more viscous, and it pours very slowly compared with the water.

Using string theory as a measuring tool, Son and colleagues Pavlo Kovtun of the University of California, Santa Barbara, and Andrei Starinets of the Perimeter Institute for Theoretical Physics in Waterloo, Ontario, have found that water is 400 times more viscous than black hole fluid having the same number of particles per cubic inch.

“One can ’stir up’ the black hole, and it will wiggle for some time,” Son said. “After awhile it comes back to rest in exactly the same way as when you have stirred a cup of water — the water moves for awhile and then slows and stops. Viscosity is a reason why water stops. Similarly, one can associate viscosity with a black hole, and the viscosity is the reason it eventually stops moving after having been stirred.”

A paper describing the use of string theory to compute black hole viscosity is scheduled for publication in the March 25, [2005] edition of Physical Review Letters, a journal of the American Physical Society. The work is supported by grants from the U.S. Department of Energy, the National Science Foundation and the Alfred P. Sloan Foundation.

Physicists for years have used string theory to unify forces of nature — gravity and electromagnetism, for example — when observations involving one force cannot be reconciled with those involving another force.

In string theory, elementary particles are described as small one-dimensional objects called strings, rather than simple points that do not occupy a dimension. But string theory requires at least six dimensions beyond the four in which humans traditionally think and function — three spatial dimensions plus time, often referred to as space-time. Most of those extra dimensions are thought to be very tiny, yet they can have measurable effects on the other dimensions.

To be comparable to the quark-gluon plasma, a black hole’s temperature should be about 2 trillion degrees Celsius. At such extreme heat, it is not surprising that it might evaporate like other liquids. That is exactly what happens to black holes in three spatial dimensions, according to a well-accepted theory of particle radiation from black holes by physicist Stephen Hawking.

But in the 10 dimensions of string theory, the fluid of a black hole isn’t like other fluids. Space-time is considered to be flat in our perception, Son said, and five of the extra dimensions are compacted into a small, finite sphere. In the remaining dimension, however, space is curved. Evaporation doesn’t occur in this dimension, he said, because as particles radiate from the fluid they strike the curved edge of the dimension and are sent bouncing back into the black hole.

While a black hole’s extreme temperature, among other things, would make it a decidedly inhospitable place for humans, its extremely low viscosity would make swimming in it a breeze. But Son noted that the smaller an organism is, the more viscous a fluid would appear to be.

“For bacteria, swimming in water must be like humans trying to swim in honey,” he said.

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————— For more information, contact Dam Thanh Son at son@phys.washington.edu; or Pavel Kovtun at kovtun@kitp.ucsb.edu; or Andrei Starinets at starina@perimeterinstitute.ca

about the author:
Vince Stricherz has been a science writer at the University of Washington for nine years. He focuses on working with reporters covering the university’s non-medical science research, such as physics, astronomy, climate and seismology. He spent more than 20 years as a news reporter, first at a small South Dakota radio station and later with newspapers - including the Indianapolis Star and The Seattle Times - and United Press International wire service. His articles and others can be found at www.uwnews.org

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Re-published by the permission of the author in the July 2005 issue of The Practically Creative Quarterly, theme: space and spaces

Butterflies, Roads, Mementoes

March 22nd, 2007

[-poetry, photography, art-]

by Beverly J. Shepard

Butterflies

Rise up dancing, two together, Read the rest of this entry »