[art, virtual worlds]

Winter Lights, an art and photography exhibit, has just opened in the Gallerie Octaviana. The show features work from Mad Swiss Cow, Marcel Moré, Sume, Marjie Kennedy, Pirate Johnny, Smiling da Vinci, and Nancy Waldman on the first floor of the expansive gallery space. Upstairs are two new installations of a Circleworks box and a hued light environment.

The owner and artistic curator of the gallery is Annie Octavia.

What you may now be realizing is that Annie and her gallery are located in the magical space of a virtual world called Second Life. Annie is the online avatar of Beth Felice. I interviewed Beth about Second Life, her gallery, the show, and some of the special kinds of creative works that are all the rage in this Other (S)P(l)ace.

Here’s the interview along with shots and videos from the gallery, the installation.

1. For those people who have never even heard of Second Life… can you give us a brief overview of what it is and how it works?

Second life is an example of a MUVE, multi-user virtual environment, a fancified way of saying 3D web browsing. Does it look like a video game, yes. Is there any “game” objective, not really. Who is there? Currently a vibrant world community of about 7 million, including over 350 colleges and universities, NASA, CDC, libraries, museums, both with counterparts in the physical world and those that exist only in second life (sl).

For a presentation I gave in November at the Federation of State Humanities Councils I created a wiki at http://virtualplace.missourihumanities.org/secondlife. You’ll find a nice assortment of articles, factoids and links there.

2. How long have you been involved in SL? How long have you had the Gallerie Octaviana?

I stumbled into SL Labor day weekend 2006. At that time there were about 400,000 users. There was a release of virtual land (512 square feet is included with each paid account) in December of 06 and I staked a claim then, and built the first gallery.

3. Have you had other exhibits?

Yes, I’ve quite enjoyed bringing flickr friends into SL, and hopefully vice versa.

4. Is exhibiting art in SL a good way to get publicity for one’s work?

I’m not sure if you are talking about a subjective or a metric here. In a way, there is a large community of eyeballs, a very organized art community, and the ability to have things on display 24/7. That being said, the most traffic is generated by real time events, openings, artist discussions, etc. I am most interested in this idea of immersion, of being able to walk the representation of self through the art. I am very interested in this intersection of photorealism and illustrative style, and using some of the fantastical qualities, the “magic” not possible in the physical world.

As an aside, I have read that up to 10% (and many believe this number might be higher) of the Sl community is physically challenged in some way. There are some pretty amazing stories about the communities of stroke survivors, wheelchair bound, autistic, and people living with chronic diseases like cystic fibrosis rejoicing in the ability to be “just another” person…or just another person that can fly.

I’m still stuck on the concept of publicity for one’s work. I’m not sure. I think the most interesting work might be that which combines sound, movement, scripting, graphic, and interpretation. And it might exist specifically in a place like SL. Am not sure that work ports straight across from a gallery wall around the corner, into the virtual gallery.

5. I think it’s fairly easy to conceptualize how you put images onto the “walls” of your gallery, but you also have moving 3-d sculptures. Those are a little tougher for me to imagine creating. Tell us about those.

I made a little video, creating an object, and assigning properties and “textures” (graphics). SL Prim-er for Practically Creative Quarter folks

[readers: be sure to check out this primer on prims.
it’s well done and totally intriguing.
also you’ll see the pcq home page on the gallery wall!]

6. Tell us about your alter ego, Annie Octavia. How is she like you? How is she different? Did you have an idea of who you would be on SL or did it evolve out of the experience of being there?

There seems to be an ongoing discussion between immersionists and augmentationists in virtual worlds. Some people want to explore parts of their personality they might not commit to IRL (in real life) and some people see the avatar as an extension of self, trying to make it as close to reality as possible. I remember one of the first librarian meetings I went to, one fellow had made himself into a two story tall dust ball.

There is actually a good deal of scholarly interest in these topics
virtualworldsconnect.com/
edition.cnn.com/2007/TECH/06/07/virtual_identity
ibiblio.org/nmediac/winter2004/matusitz.html
gwynethllewelyn.net

Annie began as a representation of self. I’m not much of an actor. Recently a great friend started to explore the visual and creative aspects of costume. Remember, as everything in SL is user created, this includes hair, clothes, etc. A current favorite designer mixes traditional Japanese costuming with a distopian future and goth.

7. What else would you like people who haven’t experienced it to know about Second Life?

In a way it is a next iteration of the internet, and reminiscent of how you might describe what one could find “online” in the early ’90s. It is a communication tool, a collaboration application. It takes the more singular activity of person browsing web via computer to a social activity.

8. Anything else you’d like to say that I neglected to ask about?

Winter Lights is up through April. Anyone wanting a little help learning the SL environment, please feel free to email. The next project is a more intensive scripting project, coordinating events of sound and image with avatar movement through space, or interaction with other avatars. I also seem to be composing a lot these days, and that happens in a very NON networked world!

A Visit to Gallerie Octaviana

When Beth asked me to be in her show this time, I decided to go visit Gallerie Octaviana. I had never been on Second Life but had heard about it, so I was curious. It takes a little time—but not money—to get set up there. I would estimate that it took me between one and two hours to begin. This included time to register and decide on the basic parameters of my avatar (my name is *Aplomb Pomilio*—you can freely choose your first name but the last name must be taken from an extensive list). Then I went to the orientation island where I figured out how to navigate, use the map, chat and appearance interfaces and so on.

I then set out in the world to find the gallery. Even though I thought I had the parameters, I was not able to find it on my own. Second Life is big! I landed in some pretty amazing places though. Finally, I had to email Beth and ask her to contact me in SL. She pinpointed her spot and I was able to teleport there.

Walking through the gallery with Annie (dressed fabulously!) as my guide, is like being a character in a video game, I suppose, except better because you know no one’s going to shoot at you! I have to say it’s pretty amazing to see my photos and the PCQ home page up on a gallery wall in this other worldly place. Thanks Beth for a fascinating introduction to Second Life.

Here I am in some person’s clothing shop (sorry I am too disoriented in this foreign land to know where exactly I am):

I’m sorry I didn’t turn around to face the camera. I couldn’t figure out how to make that happen. The bird on my shoulder was given to me when I showed up on orientation island. It’s probably a sign of a real n%b*. Anyway, it was a stay-at-home adventure for sure. Cheers!

*Note from Beth:

The bird on your shoulder is not the sign of the n00b, just a gift from someone, who also was once new. In virtual and real world communities, people care about one another, and this just makes every day a complete wonder.

You can find all of Beth’s projects and websites at bfelice.jaiku.com :: Beth is also a member of our social network: Being Practically Creative Come on over and check it out.

February 08: Some of my thoughts and photos on further exploration of Second Life. And on the pleasures of playing dress-up!

[-art, handmade paper-]

My own beginner’s interest in the possibilities of handmade paper led me to start looking at artist’s who work with this medium. Below are works from three who take the raw material of handmade paper and make it into much more.

The variety is indeed inspiring.

© 2007 elaine kerr, all rights reserved

Elaine Kerr does mixed media art. One of the mediums she’s turned her artistry to is handmade paper. She uses the pulp in molds to make paper objects. Above you see the beautiful result of one of her shell pieces. Visit her at Art of the Found Object.

Iablotchki is an artist and art teacher in Russia.

© 2007 iablotchki, all rights reserved
Her delicate leaves [top] are a described as “the author’s book of verses of Russian poet Pushkin, Autumn.”

© 2007 iablotchki, all rights reserved

As you can see above, she seems to literally paint with paper in her representational paper art. Iabltochki also does amazing tapestries. Please visit her flickr site, here. And her personal site here.

“no sand in my sandals, no stones in my shoes” - detail - © 2007 rose clancy, all rights reserved

Rose Clancy does vessels in paper mache that she makes mainly from egg cartons. She also uses other materials such as found objects and cardboard in her unique work. Her bas relief Sunscenes below are gracing our Home page this week. Please visit her blog: Paper Works and her flickr site.

“sunscapes” 6 x 6, paper mache with found objects, © 2006 - 2007 rose clancy, all rights reserved

Thanks to all contributors!

The PCQ’s Paper Making Tutorial for beginners

[-essay, self-evolution, process-]

by Nancy Waldman

I make marks, therefore I am.

Durham Dr. & Center St. (Houston, TX)

Originally uploaded by Mr. Waldo.

Since the days men lived in caves, human beings have demonstrated the need to make their mark on this world.

From those cave paintings, to the tick marks on a prison wall, to Kilroy was here! during World War II, to graffiti through the ages and up to today, making marks is a way to say, Look at me! I was here! I am special! I exist!

Making these kinds of marks is pure self-promotion.

I picked this illustration of a lively painted Waldo by Mr. Waldo out of the Practically Creative flickr pool because it is a wonderful photograph (from a city I lived in and know well) that illustrates perfectly this rather strong desire that people have to make their mark.

In common language, we also talk about “making your mark” as meaning gaining success. Whether that means being famous, getting rich or being respected in one’s field, it is often referred to by this artistic metaphor. This metaphor not only works with the achievement of success but also with the process of seeking it.

Self-promotion is a necessary part of gaining any kind of success in the arts. It’s also something that many creative types do badly or not at all. We’re often uncomfortable putting our work, ourselves, out there. We all know people who are natural self-promoters. Sometimes these people over promote themselves. Everything they do self-generates a spin that makes that endeavor the best, the most, the tops. Whether it’s deserved self-congratulations or not, these super-promoters often grow tiresome. Because of this, the rest of us may come to think of self-promotion as the last thing we want to be associated with. But this is a mistake.

When the graffiti artist (please note the emphasis on artist) makes his mark on the storefront wall, he is putting his work out there. It’s a step way beyond doing art in his school notebook or in his room at home. He’s self-promoting just by the act of creating. When the artist takes his portfolio to art galleries or the photographic journalist to a newspaper or magazine, it is necessary self-promotion. When the writer sends and re-sends (and on and on) her short stories or novels out to agents, publishers, new markets, she is self-promoting.

Once we admit this to ourselves, we may also want to admit that other kinds of ‘marks’ may be admissible and helpful. Having a web presence is a perfect example. Those of us who were around long before there was an internet grew up believing that we needed permission from someone with power before we could call ourselves artists. Because of this, there can be sheepishness about claiming space on the internet. When you buy your first web address—yourownname.com—you may feel that it’s not quite proper for you to have a personal web-site because you haven’t published anything yet or you don’t have gallery representation or a record label.

Get over it! It’s a new age. The web is littered with self-promoters who’ve garnered well-deserved attention that would not have happened under the old system.

Make your mark whether it’s exhibiting in a local art show, entering a contest, getting a myspace account or making your own fabulous web-site.

And if your thing is public art, perhaps you can, as Mr. Waldo has done, make your mark all over the globe and become a legend just as Kilroy did.
Thanks Mr. Waldo for letting us use your photo.

Please click on Mr. Waldo’s image to see more of his work.

See these other posts on making your mark:
Graphic Reminder
Art Tutorial

[-art, photography, poetry-]

NightSchool

Originally uploaded by MontanaRaven.

Today’s image comes from Maureen Shaughnessy, the talented photographer and artist who has been a frequent contributor to The PCQ. She continually explores deeper and deeper into the possibilities of photographic/drawn art alterations.

I asked Maureen about this image and she said that she took a painting of a “normal, boring fish” and digitally altered it giving the appearance of perspective and swimming in different positions…” Maureen was working with the idea of “taking a flat…almost cut-paper or 2-dimensional tapestry gradually…transforming into a 3-dimensional dream image as you go right.”

I love not only the image she came up with, but the visual, design and metaphorical exploration behind it.

To accompany her image, she includes the following:

Linking literary works to art - whether they are your own words or someone else’s - can add a further dimensionality that enhances both.

thanks, Maureen for an inspiring alteration.

This image is part of Maureen’s Alterations and Digital Collages set
Here’s a link to Maureen’s blog, Raven’s Nest
All Maureen’s articles on The PCQ.
Here’s a PCQ science article on Dimensions

Originally published in the original Practically Creative blog, March 2006

[-photography, science-]

Heart Chakra

Originally uploaded by Solitaire Miles.

This image gets to me, leaving me a little bit breathless. I’m not sure why. I have a nursing background so it has nothing to do with seeing someone’s insides. It has more to do with making something visible that we almost never see and therefore, often don’t think about.

The artist, Solitaire Miles is using the scans and medical procedures that she’s had to undergo as art– with beautiful results.

The image is striking. I’m struck by how close the heart is to the brain. I’m struck by how strong the arteries look. I’m interested in the fact that there’s symmetry but there’s also asymmetry within. And it fascinates me that the heart is clearly visible but the brain isn’t.

The image stimulates both my mind and my heart.

Art is about making the internal, the secret, the little understood, the inexpressible, the unarticulated, the unknown–visible.

Thanks Solitaire for the ultimate in personal art.

See more of Solitaire’s art at her flickr site.
Consider joining the Practically Creative flickr group

See my essay on my inconsistent bloggedness here.
Here’s another post and work of art - by arlee - based on the heart

[-art, photography, alterations-]

‘lingering doubt’

© 06 - 07 angela petsis all rights reserved

Today we have a wax collage done by Angela Petsis. She says that she’s only been doing collage a short while but it’s obvious that she has a natural affinity and skill for gathering, and the layered construction that collage requires. The transparency of this image - with words and background images showing through the figure - give it a dreamy quality. The wax she uses in lieu of glue gives it depth and an aged look.

I am always more drawn to an image when it’s been given an evocative title like this one. “Lingering Doubt” immediately draws me in. I look more closely at the woman’s image and begin to wonder about the look on her face, her stance, what she’s wearing. But more so, it makes me think about what’s going on within her. Both ‘lingering’ and ‘doubt’ are ambiguous words. They can lead to positive or negative outcomes, but they are evidence of an internal struggle that helps to give meaning to this complex image. The combination of title and image result in visual poetry.

- See Angela’s great tutorial on how to do Polaroid transfers
- Showcase of Angela’s Polaroid Transfer artistry
- Be sure to visit Angela’s beautiful website to check out what other kinds of art she’s doing: angelapetsis.com

Thanks Angela for your evocative collage!

Originally published in the original Practically Creative blog, February 2006; edited for re-publication

[-fiber art, journals, art-]

second stage, my heart current
© 05 - 07 all rights reserved

Uploaded by arlee.

This work of fiber art by arlee is the second stage of her ongoing work on a fabric art journal she calls, My Heart Current.
About this arlee said that she’s trying new things such as:

foiling, the use of my own hand dyed fabrics, some rough edge applique and lots of spontaneity!

Journaling has undergone quite a transformation in the last few years. What used to be a simple pen and paper way to chronicle thoughts or life events has become an art form in and of itself. Now fiber artists are taking it further, making the whole journal a piece of art. These art journals can be made of paper or textiles or both.

Thanks arlee, for sharing your process and your finished products.
See more of arlee’s work and thoughts at Albedo Design

Here’s a collaborative blog: fabricartjournals.blogspot.com
All our Journaling posts.
Articles on Altered Books
- Karen Hatzigeorgiou
- Nancy’s first attempt is chronicled and illustrated

Originally published by permission of the artist in the original Practically Creative blog, February 2006; slightly edited for re-publication

[-art, alterations-]

by Nancy S.M. Waldman

scroll/reset

Originally uploaded by Mary Bogdan.

I have boxes on my mind.

This week, I covered a small cardboard box in old photos and gorgeous, vintage gold paper I found in my late father’s art supplies. I lined the inside with beads and feathers. Fun!

That little project got me going on containers. Now I’m working on making a box out of a couple of my paintings that have been in a drawer for a decade or more. In bed last night, just before sleep, I came up with an inspiration for a see-through lid so that the painting-lined interior won’t be hidden. This is fun stuff and all inspired by our recent issue on Alterations.

Our image today is from assemblage artist Mary Bogdan. You can see more of her work here in our on-going look at Alterations.

Mary collects boxes and more boxes to use in her constructs. This piece, entitled “scroll/reset” is 19″w x 14.5″h x 6″d. This is what she has written about it:

Well, Mary, I wish I could touch it, look in that cigar box, ruffle the pages. It’s so *FULL*.

I ran across a fun site yesterday called Box Doodles. Whoa, is this ever right down The PCQ’s alley. On this site, people are encouraged to make quick things out of boxes, but that hardly begins to describe the outcomes. Take a look. You won’t be sorry. The box doodles and Mary’s decidedly more sophisticated box assemblage can’t help but inspire!

Here are photos of the boxes I mentioned above. The first is a craft store box that I covered with vintage paper and old photos and lined with beads and feathers.

This one is literally made from one of my paintings (acrylic) bent into shape and glued. The lid is made from a web of machine-sewn threads (done on tissue paper and later removed) sewn onto more of the painting paper with embellishments of beads and lots more thread in the corners.

thanks, Mary.

See all our Alterations articles
See New Again, an Alterations Challenge
- with more photos of my boxes -
See more of Mary Bogdan’s art: The Tide Series
See all our Collecting articles and surveys

Originally published March 2006 in the Practically Creative blog; edited slightly for re-publication

[-fibre art-]

by Nancy Waldman

Fantasy Forest

Originally uploaded by bevcraigwhite.

Today’s post is from Canadian fiber artist, Bev White.

Continuing on our Alterations theme, she describes this image as a

detail, showing slashing, hand and machine embroidery, quilting 2004, (silk screen by my friend Jane Geard).

It’s a great example not only of taking a piece of art one step further by altering it with your own creativity but also of collaboration.

Click on Bev’s image to see more examples of this and her other wonderful fiber artistry.

Thanks, Bev!

Find out more about our Alterations Challenge
All our Alterations articles
All our Fiber Art articles (more coming soon!)

Originally published in the February 2006 issue of The Practically Creative blog; edited slightly for republication

[-photography, digital images, photo essay-]

words and images by Maureen Shaughnessy

“cloud ice earth dancers”

Life is filled with mundane happenings and objects we take for granted.

Read the rest of this entry »