[-art, process, tutorial-]

by Nancy S.M. Waldman

Time:
• 10 minutes or less

Materials:
two standard sheets of printing paper torn in fourths
marker, crayon, pen or pencil

Before reading this article, do one drawing each for 8 of the following words. I’ve given you more than 8 in case you prefer not to deal with some of them but, of course, do them all if you like. The drawings must not be representational. No pictures or symbols that represent anything. Stick to abstract lines and shapes of any thickness or type. Think about the word for only a moment and then begin to draw. Make them small, make them quick and don’t think too much.

peace/tranquility
anger
nervous energy
joyful energy
hope
depression
illness
fear
loneliness
femininity
masculinity

Done?
Now here’s another thing for you to do. Take a moment to decide which one of the two shapes seen below should be named “takete” and which one should be “maluma.”

I’ll explain what these shapes represent at the end of the article.

Words dominate our worlds, and even more importantly, our thoughts. We can’t even think about thoughts without using words. This dominance of the word is one reason art, craft, pure design and music are so vital in our lives. We need the balance that wordlessness can provide. Marks—the kind that you used to do your drawings—communicate on a non-verbal level.

This little exercise is meant to increase your awareness and give you the experience of the fact that non-representational marks carry meaning that can be *read* by others.

Below is a series of drawings that roughly correspond to the ones you did. Scroll down and look at each one. Notice the energy or lack of it, the placement, direction and movement of the lines. Think about how it makes you feel or what it reminds you of. Look for similarities between your drawings and mine. Then scroll back through them and try to match them up with the list of words (some of them are used twice).

peace/tranquility, anger, nervous energy, joyful energy, hope, depression, illness, fear, loneliness, femininity, masculinity

Here they are with labels (on top):

anger	loneliness
fear	anger
tranquility	depression
nervous energy	femininity
illness	hope
joyful energy	masculinity

The interesting thing about these simple drawings is that they tend to be so similar between people. Betty Edwards in Drawing on the Artist Within shows many examples of these drawings done in her art classes. They are not all the same—we wouldn’t expect or want that, would we? And, that’s not the point. The point is that they are amazingly communicative.

You might disagree with some of my labels—maybe what I call hope looks more like femininity to you (I was interested that my joyful energy and femininity looked so similar ), or my nervous energy might look like your anger. Come to think of it, my loneliness looks pretty fearful. I trust, though, that you can look at these and at least narrow the choice down to two or three. Sometimes we don’t communicate that explicitly when we’re using words!

If I did these drawings on another day, they would likely be different. If I were feeling especially lonely or fearful or angry, the marks would be even more communicative of that feeling. The fact that my loneliness drawing incorporates a feeling of fear is interesting to me. I probably am fearful of being lonely. That it came out in a drawing that took less than thirty seconds illustrates my point in a way that my words cannot.

I’ll be posting more about what you can do with simple non-representational drawings, but in the meantime, I suggest that you play with lines, marks and the expression of emotions.

In terms of other art that you do, remember these tiny drawings. Placement on the page, the energy and speed with which lines are drawn, the direction of the lines, whether they are straight, sharp, angular, wavy, curvy, upturned—all of these things and more carry information to your viewer. Whether you work in paint or clay, fabric or pencil, make sure that you know what non-verbal message your art is delivering. Harness this information so that you can use it in your work and in viewing other people’s art.

Most of my understanding of R-mind thinking, the meaning of marks and much of the rest of what I’ve come to understand about creativity was informed by the books of Betty Edwards, Drawing on the Right Side of the Brain and Drawing on the Artist Within. I consider them essential so do consider looking more closely at them when you get the chance. (I’ll be posting a full review of Drawing on the Artist Within soon.)

So what about takete and maluma, the drawings at the beginning of this article? These nonsense words and two similar drawings were used in an experiment done by Gestalt psychologist, Wolfgang Kohler in 1929. 98% of respondents labelled the angular drawing “takete” and the curved one, maluma. This was strikingly similar across cultures. We can project why this is so (the letters of takete are more angular, the sound is sharper and so on) but it continues to be a fascination that there is this kind of brain universality associated with abstract shapes and sounds when so much of what human beings have trouble with is communication. According to Wikipedia it is known as the Bouba/Kiki Effect

Other posts about Marks:
Mark my Words - a graphic reminder
Making your Mark - essay about self-promotion